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๐—ง๐—ต๐—ฒ ๐—ฆ๐—ต๐—ฒ๐—ฑ

๊ฐค๋Ÿฌ๋ฆฌํ˜„๋Œ€๋Š” โ€˜ํ”„๋ฆฌ์ฆˆ ๋‰ด์š• 2025โ€™์—์„œ ๋ฌธ๊ฒฝ์› ์ž‘๊ฐ€์˜ ์†”๋กœ ๋ถ€์Šค๋ฅผ ์„ ๋ณด์ธ๋‹ค.

๋ฌธ๊ฒฝ์›์€ ํšŒํ™”, ์˜์ƒ, ์„ค์น˜ ๋“ฑ ๋‹ค์–‘ํ•œ ๋งค์ฒด๋ฅผ ๋„˜๋‚˜๋“ค๋ฉฐ ์‹œ๊ฐ„์˜ ํ๋ฆ„์„ ๋งค๊ฐœ๋กœ ๋ณ€ํ™”ํ•˜๋Š” ์—ญ์‚ฌ, ์ธ๊ฐ„, ํ’๊ฒฝ์„ ๋‹ค์ธต์ ์œผ๋กœ ์‚ฌ์œ ํ•˜๋Š” ๋…์ฐฝ์ ์ธ ์ž‘ํ’ˆ ์„ธ๊ณ„๋ฅผ ๊ตฌ์ถ•ํ•ด ์™”๋‹ค. ๊ทธ๋Š” ๊ฐœ์ธ ์ž‘์—…์€ ๋ฌผ๋ก , ์ „์ค€ํ˜ธ ์ž‘๊ฐ€์™€์˜ ํ˜‘์—…์„ ํ†ตํ•ด ๊ตญ๋‚ด์™ธ ๋ฏธ์ˆ ๊ณ„์—์„œ ํ™œ๋ฐœํ•œ ํ™œ๋™์„ ์ด์–ด๊ฐ€๋ฉฐ ๋™์‹œ๋Œ€ ํ•œ๊ตญ๋ฏธ์ˆ ์˜ ๋‹ด๋ก ์„ ํ˜•์„ฑํ•˜๋Š” ๋ฐ ์ค‘์ถ”์ ์ธ ์—ญํ• ์„ ํ•ด์™”๋‹ค. ์ด๋ฒˆ ๊ฐค๋Ÿฌ๋ฆฌํ˜„๋Œ€ ๋ถ€์Šค(B06)์—์„œ๋Š” ๋ฌธ๊ฒฝ์› ์ž‘๊ฐ€์˜ ์‹ ์ž‘ ํšŒํ™” ์—ฐ์ž‘์ธ ใ€ˆ์†Œํ”„ํŠธ ์ปคํŠผ(Soft Curtain)ใ€‰(2023โ€“2025) ์ค‘ 9์ ์„ ์—„์„ ํ•˜์—ฌ ์ž‘๊ฐ€๊ฐ€ ์ง€์†์ ์œผ๋กœ ํ™•์žฅํ•ด ์˜จ ํšŒํ™”์  ํƒ๊ตฌ๋ฅผ ์ง‘์•ฝ์ ์œผ๋กœ ์กฐ๋งํ•œ๋‹ค.

๋ฌธ๊ฒฝ์›์€ ์ด๋ฒˆ ์†”๋กœ ํ”„๋ ˆ์  ํ…Œ์ด์…˜์—์„œ ํ’๊ฒฝํ™”๋ฅผ ํ•˜๋‚˜์˜ โ€™์ปคํŠผ(curtain)โ€™์œผ๋กœ ์ œ์‹œํ•œ๋‹ค. ์ปคํŠผ์„ ์ –ํžˆ๋ฉด ๋“œ๋Ÿฌ๋‚˜๋Š” ๋„ˆ๋จธ์˜ ์„ธ๊ณ„์ฒ˜๋Ÿผ, ํ’๊ฒฝ์˜ ํ‘œ๋ฉด ๋„ˆ๋จธ์— ์กด์žฌํ•˜๋Š” ์„ธ๊ณ„๋ฅผ ์ƒ์ƒํ•˜๋„๋ก ๋งŒ๋“ ๋‹ค. โ€ํ’๊ฒฝ์€ ๋ณผ ์ˆ˜ ์—†๋Š” ๊ฒƒ์„ ๋ณด์ด๊ฒŒ ๋งŒ๋“œ๋Š” ์žฅ์น˜โ€œ๋ผ๋Š” ์ž‘๊ฐ€์˜ ๋ง์ฒ˜๋Ÿผ, ๊ทธ์˜ ํ’๊ฒฝํ™”๋Š” ์žฌํ˜„์˜ ์ฐจ์›์„ ๋„˜์–ด ์‹œ๊ฐ„๊ณผ ๊ธฐ์–ต, ์žฌํ˜„๊ณผ ์ง€๊ฐ, ์‚ฌ์‹ค๊ณผ ํ—ˆ๊ตฌ๊ฐ€ ์–ฝํžŒ ๋ณตํ•ฉ์ ์ธ ๊ตฌ์กฐ๋ฅผ ๊ฐœ๋…์ ์œผ๋กœ ์ง์กฐํ•ด ๋‚ธ๋‹ค.

Gallery Hyundai is pleased to present a solo presentation of Moon Kyungwon for Frieze New York 2025.

Moon Kyungwon has worked across painting, video, installation, and multimedia to explore the strata of history, humanity, and landscapes as they continue to shift with the passage of time. Alongside her acclaimed individual practice, Moonโ€™s longstanding collaboration with Jeon Joonho has significantly contributed to shaping the discourse of Korean contemporary art both domestically and internationally. At Booth B06, Gallery Hyundai will unveil 9 works from Moon Kyungwonโ€™s ๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜Š๐˜ถ๐˜ณ๐˜ต๐˜ข๐˜ช๐˜ฏ (2023โ€“2025), a recent series of paintings that encapsulates the trajectory of her sustained inquiry on painting.

In her upcoming solo presentation, Moon Kyungwon conceptualizes landscape paintings as curtainsโ€”a veil to be drawn back, inviting viewers to envision the world beyond the surface. Describing landscapes as โ€œa mechanism for making visible what cannot be seen,โ€ she weaves a complex conceptual โ€œwovenโ€ tableau of time and memory, representation and perception, reality and fiction.